The Good:
So you’ve
finally finished that e-book you downloaded for vacation last summer and
feeling pretty good about yourself. You do a search for more e-books you could
download and run across a cloud-based site called ReDigi. You click the link,
read the information and wonder, “how can a company resell digital material?”
ReDigi, created by John Ossenmacher, is a new concept that takes the idea of
selling used music, movies, and books and takes them to the cloud and into the
digital world. However, this new startup company has got the attention of some
major entertainment companies. Capitol Records, home of some big name artists
such as Elton John, The Beatles, David Guetta, and Jennifer Lopez, has found
themselves in a suit with ReGigi. According Capitol Records, “while
ReDigi touts its services as the equivalent of a used record store, that
analogy is inapplicable: used record stores do not make copies to fill their
shelves." Their stance suggests that ReDigi should not be allowed to
operate under the same law as a physical used record store. However, for once,
it is the artists who are reaping the benefits both on their residuals and with
piracy. According to Judith Rosen, “their goal is to unlock the billions of
dollars that consumers have invested in digital goods by reselling them, using
the partners' patented cloud-based technology, which enables them to weed out
pirated goods.”
The Bad:
With companies such as ReDigi trying to find ways to
limit piracy with cloud-based technology, The Pirate Bay is using the cloud to
find ways to make it easier to pirate music, movies, etc. and harder to shut
them down. The Pirate Bay, a notorious tech savvy Swedish based torrent site
that allows the sharing of digital content over several servers, has found
their way to the cloud. The cloud has enabled The Pirate Bay to move their
servers into the virtual realm and change them at will when a suspecting
government agency tries to shut them down. According to The Pirate Bay’s
Winston Brahma, “our data flows around in thousands of clouds, in deeply
encrypted forms, ready to be used when necessary…attempts to attack The Pirate
Bay from now on is an attack on everything and nothing.” Therefore, as
governments and hackers alike zero in on the current location of The Pirate
Bay’s cloud-based server, it reacts, disappears, and then reappears in another
secret encrypted virtual server. Making them virtually (no pun intended)
undetectable.
The Trolls:
Conclusion:
With new
cloud technology bringing the world closer to our fingertips, it is bound to
bring unwanted headaches for some companies. However, ReDigi is finding a way
to get digital content into the hands of consumers cheaper while still paying artists
and protecting them from piracy. Therefore, Capitol Records should be thrilled
that someone has found a way to resell their intangible product. Moreover, the
cloud has turned piracy away from Somalia and into the virtual world via The
Pirate Bay. Hopefully, ReDigi’s cloud-technology will be savvier than that of a
roaming virtual server and weed out all the fake pirated copies of digital
content. Unfortunately, that could be blocked by a bogus patent suit brought on
by annoying trolls trying to make a quick buck on basic mathematics.
Regardless, the battle of the cloud infringement will linger on because the new
technology is only expected to grow. Furthermore, since the beginning of time
and in the time to come, large companies will try to muscle out new startups,
pirates will pirate, and trolls, well, they’ll just continue to be a nuisance.
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