With everything that producers have to worry about,
insurance should be the last thing on their mind. Recently, it seems that
insurance companies have taken a stand on insuring infamous actors. However, it
is the actors, whose popularity is gained through their behavior outside of the
movie, that tend to be the people the audience wants to see on the silver screen.
Why? It is the train wreck example, we do not want to watch it, but we cannot
help it. We want to see if the star can still act convincingly after having
copious amounts of LSD in their system.
Though, it
seems that the insurance carriers have had enough of it. In an article from Insurance News Report, Roman Coppola’s new film project A Glimpse Inside The Mind Of Charles Swan
III was denied film insurance because of
the proposed lead actor. Who is the lead actor you may ask? Who else, but our friendly
neighborhood tabloid star, Charlie Sheen. It is hard to blame the insurance
carrier in this situation because Charlie Sheen has received some notorious
publicity in the past. In 2011, Sheen was fired from his hit TV show “Two and a
Half Men” which began his decent into the dark underbelly of media popularity.
Sheen took out his frustration by destroying a New York City hotel room, lashed
out in interviews claiming he was a “warlock” with “tiger blood,” posted
bizarre YouTube videos of him smoking through his nose, and even went on tour
throughout the United States and Canada to continue his behavior on stage.
So
how do these films end up getting made if the producers cannot insure the film
because of their main actor? In an article from NPR, Brian
Kingman, film broker and managing director at Gallagher Entertainment, said, “If a producer has enough time, talent and money, anything is
insurable." The article explains how it is his job to assist producers in
finding coverage for their stars. Kingman gathers personal information that
each star must disclose and takes it to an insurer like Lloyds of London, who
will insure anything, and get a policy written on them. That policy is very
important to a producer who is responsible for lighting, cameras, crews, etc.
and if the star goes down, the policy will pay a certain amount per day to keep
things running and pay checks paid until the star is well enough to return.
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